Well, it was back in 1996 $150 was worth $150, back in those days. I gave him what he had written, and gave him $100. James came to us through a friend, and he wanted to be a novelist, not a screenwriter. [I spent five years writing Tromeo and Juliet, but he solved it! We co-wrote it together, but most of the dark brilliance of that screenplay is James Gunn. What can you tell us about some of his rookie mistakes? Pretend you’re a proud mother showing off embarrassing baby pictures of your favorite son. Troma has had a lot of alumni infiltrating big corporations, like James Gunn. Our fans were pissed off at us! They don’t know the MPAA fucked it up. So when the MPAA unfairly censored Troma’s War, they totally ruined us.
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But people go to see a Troma movie because it’s a Troma movie. People don’t go to see a Paramount movie, I don’t think people don’t go see a Warner Brothers movie they go see a Leonardo DiCaprio movie. Troma and Disney have name-brand recognition. Is that a basic literacy failure on his part, or a victory for Troma? And Michael Haneke used footage from The Toxic Avenger in his film Benny’s Video as an example of typical Hollywood filmmaking. On Netflix Instant, if you search “Troma,” the first two options are Troma films, and the third is Tora, Tora, Tora. Moviegoers generally can’t distinguish independent or exploitation films from mainstream films. And I don’t like to speak ill of the dead, but the nerve, the arrogance, the hubris of his comments! There are very few movies studios that have lasted and remained independent for a long time. And the film was cut down to something like a G-rated movie. But the only way we could get into movie theaters in 1986 was with an R rating. That movie followed The Toxic Avenger and Class of Nuke ‘Em High, so we had built up some steam. Our violence is, as you know, cartoon violence. I think Heffner’s words were, “No fuckin’ good,” or something. They took out punches and jokes and things that were perfectly acceptable in movies like Die Hard. The MPAA is not supposed to do that, and they disemboweled our movie. Richard Heffner, who just made a noise like a frog and was president of the MPAA, told Michael Herz over the phone that our movie stunk. I believe Troma’s War is one of Troma’s best movies, but Poultrygeist: Night of the Chicken Dead is a much better film, and I certainly like both Return to Nuke ‘Em High films better - Toxic Avenger IV: Citizen Toxie … Terror Firmer! Troma’s War is a very underrated movie, and it got totally fucked by the MPAA. How do contemporary Troma fans respond to ? You usually rank Troma’s War as your favorite Troma film, right after Tromeo and Juliet and Toxic Avenger.
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When I was five years old, my mother put me in the art class at MOMA, so I spent a lot of family-time there. But I’ve been making movies in New York since 1968. This recognition may be because of Troma’s 40th anniversary. But I do believe that both Return to Nuke ‘Em High films will be, when completed, my Sistine Chapel.
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They liked, I guess! I keep wondering if they’ve got me mixed up with Charlie Kaufman. The Village Voice talked to Kaufman about too much urination, stoner-friendly kids’ shows, and the Toxic Avenger’s Christ-like qualities.
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1, had its New York premiere at the Museum of Modern Art. This month, Kaufman’s latest film, Return to Nuke ‘Em High Vol. As the co-founder of the now-40-year-old Troma Entertainment, Kaufman produces, distributes, and directs no-brow comedies about, for, and by a new generation of juvenile delinquents like South Park’s Matt Stone and Trey Parker, and Guardians of the Galaxy director James Gunn. He’s also the guy who, with business partner Michael Herz, co-directed The Toxic Avenger and Class of Nuke ‘Em High. Lloyd Kaufman is a staunch defender of American independent cinema.